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Lo-fi (short for low fidelity) is a genre of music in which there are elements of imperfection in the recording and performance process. The standard of sound quality (or fidelity) in music production has improved over the decades, while many older lo-fi music has gone unrecognized. Lo-fi was recognized as one of the popular music genres in the 1990s, when it replaced DIY music.[1]

Many people misunderstand that lo-fi music is characterized by distortion and analog quality. The aesthetic of this music genre is defined by unprofessional factors, such as misspelled notes, noise, audio frequency deviations, (such as audio signal errors, tape tangles, etc.) ). The first artists of the lo-fi genre can be mentioned The Beach Boys (Smiley Smile), R. Stevie Moore (also known as "the godfather of the recording village"), Paul McCartney (McCartney), Todd Rundgren, Jandek, Daniel Johnston, Guided by Voices, Sebadoh, Beck, Pavement, and Ariel Pink.

Lo-fi is a cultural word, the opposite of Hi-fi. DJ William Berger from WFMU popularized the term in 1986. Lo-fi was often associated with a variety of cultural concepts such as cassettes, and was the premise for genres in the 1980s. punk rock, indie rock, innocent art, peripheral music, artistic conviction, slacker/generation X, and nostalgic culture. The success of "bedside" musicians has spawned homemade digital studio concepts. In the late 2000s, lo-fi also contributed to the birth of two genres of chillwave and hypnagogic pop.

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